Category: Comic Collecting 101
While not as famous as San Diego Comic Con, New York Comic Con (NYCC) is still a huge event for our community each year. Let's take a look at some announcements and how they may have impacted the market.
Many collectors who get into foreign comics describe it as a breath of fresh air, and chasing these ghosts has reignited the passion of collecting for a lot of people.
I've been writing a series of blogs on GoCollect's new Collectible Price Index. A tool loosely modeled on the Dow Jones Industrial Average, a composite index that focuses on blue chip stocks. Today, we're going to do a deep dive into the CPI for the Copper Age.
The key to finding an undervalued asset is uncovering the gunk and seeing what others miss. Gretzky had the ability to break down the game in his mind and wipe away everything so that he could see the play develop before it actually did. The same holds true with undervalued books.
Just when it seemed like CGC had solidified its near monopoly on the comic book grading business, another grading giant has announced plans to enter the fray: PSA.
We all have books that we own that are virtually worthless to the broader market, but maintain a lot of personal value for sentimental reasons. Uncanny X-Men #215 is one of those books for me.
GoCollect has a great team who take a bunch of sales numbers to create a perfect snapshot of the comic book market. The Writing teams' job is to put those numbers in the proper context. This step is necessary to place those numbers in a proper perspective. Here is what we found.
Many times professional lives blend in with one's hobby. Attorneys experience this all the time. The following are some ways that a career in law has intersected issues encountered during decades spent in the hobby.
This article explains Marvel’s FULL-ON SHIFT into digital comic collecting & ownership, what this new change means, and how the digital comic collecting space relates to, and enhances our traditional, physical collections
It's been a year since Part 1, which means all the Disney-Marvel variant covers have been released, and Mickey Mouse is in the public domain.